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(Sound familiar?) Their intention was to draw from their own experiences to create a smart police drama, but the show quickly morphed into more - namely, an examination and ultimately an indictment of the institutions that form the foundation of American society.ĭrawing lines between heroes and villains in The Wire is no easy task, and neither is determining which of its 60 episodes are the best - or “worst” - of the bunch.
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Yet a decade later, The Wire can reliably be found atop just about every Best Shows Ever list, right alongside HBO contemporaries like The Sopranos and Deadwood - a cohort you can blame for helping turn “prestige TV” into a thing.Ĭreator David Simon, who spent more than a dozen years on the crime beat at the Baltimore Sun, produced and co-wrote the series with Ed Burns (no, not that one), a veteran Baltimore police officer who logged hours with the city’s homicide and narcotics departments and also worked as a public school teacher. The series never won an Emmy amazingly, it was only ever nominated for two (both for Outstanding Writing). Toward its end run, viewership was barely registering on the ratings scale. The show’s most-watched episode was its second-season premiere, which managed to pull in 4.4 million viewers - a number Game of Thrones regularly quintuples. When The Wire fell silent ten years ago, it was a critical darling but far from a hit.